Dance Again: Chloé Caillet makes the long version the only version

Dance Again is a booth record first. Seven tracks from Chloé Caillet, six of them extended mixes, pressed as a 140g 12" with a matte sleeve and a 3mm spine. It is house, disco and funk, built to be mixed out of.

Caillet is a DJ, a producer and the founder of the label Smiile. The years before this one went on the biggest clubs and stages on the circuit, festival headline slots and underground rooms in the same run. A breakthrough-artist nod and an artist-to-watch listing followed. Records made by someone who works floors for a living are cut so a floor can use them, and that is the shape of this one.

Dance Again arrived on September 25, 2026, with no label named on the release. The vinyl is $23 or more, the digital $7 or more, the download 24-bit at 44.1kHz. With numbers like that, the pressing is the version that counts.

It opens on Lemme Dance, the only cut here with a guest voice up front, Myd's. Bad Bara is the spine: the track Caillet returns to, and the one that gets a second version, the Midnight Mix, which lands last. Change brings Luke Alessi in. Noise Keeper is the only joint credit on the record, Caillet and D Stone. After Dark and Pyramid close the run of new material under her name alone.

What ties them is tempo and bass. These are long mixes in the disco-house sense: intros and outros long enough to hand a DJ something to work with, hooks repeated until they are muscle, room left at both ends for the next record. The funk tag earns its place, and so does the Miami one. This is music with sun on it and a low ceiling, closer to a terrace at six in the evening than a main stage at ten at night.

So it is for DJs first and for the people who buy 12"s to play at home at a volume the neighbours can hear, second. It sits at the bright melodic end of disco-house rather than the dark one, and the Alessi feature points the same way.

The flaw is access. Every new track arrives extended, and the only second door on the whole record is Bad Bara's Midnight Mix at the end. A DJ gets seven tools. A listener at home gets the long version first, last and only, and the run from Lemme Dance to Pyramid is a long one.

Still, the aim holds: sharp where it looks, shut where it does not. A 3.5. The title is a promise about a room, and the record keeps it.

The tracklist

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